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Aus Feuerflammen schmieden die beiden Zauberbrüder magisch einen echten Lamborghini, ganz in Gold. James Bond würde erblassen, würde er erleben, wie dieser einzigartige Supersportwagen abhebt und über die Köpfe der Zuschauer hinwegfliegt.
Zwanzig Tonner LKW werden gebraucht, um das Equipment für die Mega-Show zu transportieren. Zusatzshows um Zusatzshows wurden angesetzt, um der immensen Nachfrage gerecht zu werden.
Zu Ostern kehren wir mit einer brandneuen Streaming-Show zurück in Eure Wohnzimmer. Tickets gibt es ab sofort zu kaufen. Your browser does not support HTML5 video.
Jetzt Tickets kaufen. Tickets kaufen. Some good examples of the results. January to 6. It is one of the few countries in South America where content productions have been restarted and the Government is launching new benefits for international producers.
Uruguay is strongly positioning itself in the global market. A combination of factors allows one of the smallest countries on the continent geography and population to offer attractive conditions for international producers: first, the good administration of the pandemic; second, authorities are renewing the Uruguay Audiovisual Program PUA in Spanish , which was launched in and which will seek to increase the percentage of cash rebate both in the provision of services and in the generation of projects; and third, the installation of major projects such as Punta del Este Studios.
In this scenario, Canal 10 seeks to attract global attention and become a production hub for the formats it already produces for the local screen, and whose locations can be used to generate international versions for other latitudes.
We have natural locations and qualified talent, but we can also produce in the midst of the Covid crisis.
During the online Upfronts for advertising agencies and brands, ViacomCBS Networks International introduces some of its key contents for for the Argentine network Telefe and the group of Pay TV networks.
Among other regional executives, Dario Turovelzky, Director General, South Cone and Guillermo Pendino, VP Programming and Contents, Telefe and Pay TV, highlighted a general balance and the new shows for On the celebration of its 30th anniversary of Telefe, the leading channel in Argentina owned by ViacomCBS Networks International had an average rating of 8.
History, which turns 20 in October, has had the best month in its history. We have teams that are producing promos from home every day.
We found that with the correct devices and software, announcers can get the job done remotely. History in the USA is not talking about a pandemic.
However, in Latin America we decided to speak to the public about the pandemic. EntrevistaHistory is one of the productions that we are doing remotely for YouTube and Facebook, with interesting interviews.
CuriosityStream takes factual beyond CuriosityStream debuted in Latin America by the end of last year with the launch at Totalplay in Mexico and it currently continues to expand, Jorge Franzini, director of Content and Development, confirms to Prensario.
At the beginning of March, before the start of the pandemic in Latin America, CuriosityStream began the production of programs on the Coronavirus, with the latest statistics and the participation of medical experts at the forefront of the fight against the disease.
We also launch new productions such as My Wild Backyard 5 episodes and it presents episodes completely dedicated to Patagonia and Mexico, also available in Spanish.
On the other hand, we have original programs that include a co-production with NHK, Space Phenomena and Asteroids: The Source of Life?
Globo: adapting to changes During the past years, Globo Brazil has reconverted itself in order to respond to the different demands of consumers and a market in constant changes and movement, investing in permanent research projects to keep up with the different trends.
His actions put him in dangerous conflict with powerful politicians. Also New Life, about a chain of events that suffers two different families when their lives cross.
And Romance Next Door, a new series from Mia Yapim, which tells the love story and also the story of friendship between 4 young people from different social classes and cultures, whose characters are opposite to each other.
Scenic Rights: feel-good and young adult stories Scenic Rights Spain continues to present itself as a source of new content, especially in the current context of the World and industry.
On trends, the executive points out that he sees a marked industry focus on positive and inspirational stories in comedy or warm, feel-. Stories contained in terms of production that allow for agile execution when the confinement is over are in the forefront.
Following the Virtual Screenings Autumn debut, leading Turkish distributor MISTCO is now promoting at MIPCOM its brand new series to the global market: produced by OGM Pictures, The Innocents is broadcast on Tuesdays on TRT1 and has fully taken over the audience with It offers a passionate love story born out of revenge.
The series offers modern a cindrella story with a great cast: Alina Boz Broken Pieces and Alp Navruz Mrs.
Fazilet and Her Daughters , and tells a love story between a well-educated beautiful girl and a reckless boy. It is available in Spanish, Russian, Arabic and Urdu.
Oficina Burman, part of The Mediapro Studio Spain , and ViacomCBS International Studios confirmed a second season for the dramedy Victoria Small.
The new part second will begin filming shortly, and will count with Juan Taratuto as showrunner and will premiere on Amazon Prime Video and Telefe Argentina during The company announced that the new season will Daniel Burman, head of Content for The have 10 episodes of 30 minutes each, and the story, Mediapro Studio US created by Erika Halvorsen and Daniel Burman, will be centered on this occasion as showrunner the renowned screenwriter and director Taratuto, who will also direct several of its episodes.
Its first season premiered in September , having achieved an average share of The first full season is available on Amazon Prime Video for Latin America and the USA.
The story were recently nominated for an International Emmy Award for their co-production. DBcom Media, a good option for factual DBcom Media Canada creates singular, universal content for broadcasters and platforms around the world, taking pride in the high-quality production methods and multilingual ideas that cater to the needs of a global audience.
For the past 15 years, our content has been produced in two original languages for both the Canadian television market and for the countless world markets.
Streaming on Amazon Prime US, UK, Europe. VIEWED ALLpanels, DAYS: ThePAGES, VS Next covering BUYERS, ALL DAYS all regions, helped to bring people. The Spain panel8.
VS Next: w Visits to sites Buyers. The cateVS. Disney: a slate of acclaimed titles Among the novelties that Disney presents this season in the market, highlights the launch of its OTT in LatAm and the announcement of some of the new exclusive content which will arrive in simultaneous premiere with the USA at the platform.
In addition, the company is promoting a slate formed by big titles at this edition on MIPCOM, like Fernando Barbosa The Favourite, directed by Giorgos Lanthimos,which follows the relationship between two cousins, Sarde Disney ah, Duchess of Marlborough Rachel Weisz and Abigail Masham Emma Stone , who are vying to be Court favourite of Queen Anne Olivia Colman.
The film was a massive success at cinemas, by critics and audience, and was nominated to vari, drama The Favourite ous Academy Awards, where Colman, reached the award for Best Actress From visionary filmmakers James Cameron Avatar and Robert Rodriguez Sin City , distributes Alita: Battle Angel, an epic adventure of hope and empowerment, based upon the Manga graphic novel series by Yukito Kishiro; finally Hostiles, based in , where a legendary Army Capt.
Joseph Blocker Christian Bale reluctantly agrees to escort a dying Cheyenne war chief and his family back to their tribal land. Embarking on a harrowing and perilous journey from Fort Berringer, N.
On the unscripted side, are the third party show Family Law, Bake or Break and Arctic Vets, now shooting in Manitoba, Canada.
Canal all genres For 60 years, Canal 13 S. For decades, Canal 13 has been in constant dialogue with the audience, through its leadership, pluralism, and public service in Chile.
Why did they rob these Rodrigo Correa, pharmacies? And inevitably, she will die. The series was produced by Canal 13 Chile and Kuarzo.
Global Agency has acquired recently the new drama starring by Can Yaman and Ozge Gurel, Mr. The series is produced by May Productions.
The plot: Sanem and Can are two independent souls, with contrasting experiences of life, who discover love and one another in the heart of Istanbul.
On the formats side, presents Good Singers produced by Talya that follows two teams, with three celebrities each, compete against each other in this new musical contest and will have to use all their powers of perception to succeed.
Just like the rest of the world, we are carefully following the news and statistics about Covid; doing our best to adapt to current conditions; and working hard to be able to shape our own future.
The company is supporting over 1. Also All Creatures Great Des, dra ma and Small, a new version of the wellknown period drama based upon the books about a Yorkshire vet, written by Alf Wight under the pen name of James Herriot.
In addition, the company picks Kate LlewellynJones as CEO of the international division based in London. Key long-running titles in the combined catalogue include Love It or List It, Mythbusters, Abandoned Engineering, Underground Worldsand Border Patrol.
We are extremely lucky to have someone with Llewellyn-Jones, new CEO of the International Distribution division. Due to varying lockdown conditions, the full merger process is expected to last for a couple of months.
With its titles reaching over territories, Inter Medya Turkey has become a referent when Can Okan, CEO spreading the Turkish content in the global industry.
On the other hand, is the daughter of an ambassador and a world citizen who grew up in Oslo, Tokyo, Cape Town, New Delhi and Ottawa.
As two innocent children, their heights were smaller than their love. But on the night they were going to unite, she disappear and no one ever saw her again.
Meanwhile, Ipek, who was pregnant at the time, went into early labor and lost her baby shortly starred ugther, drama Da after birth. The fuel theft gang, known for smuggling diesel fuel, works for a powerful family who runs the entire area.
Last but not least, is the global success Miracle in Cell No. With a mental deficiency, Memo is a shepherd who lives happily in his small world.
FoxTelecolombia: Local stories With several projects, in different stages of production and to be carried out from Colombia and Mexico, FoxTelecolombia and Estudios Telemexico have rethought the plans and adjusted to the current situation that is being experienced worldwide by Covid Aired in RCN Colombia , the production and is an adaptation of the original Argentinean series from Sebastian Ortega.
The production reviews the beginnings of her passion for singing in Cuba in the 50s and his recognition as the most determinate singer of the Sonora Matancera, upon leaving the island with her husband Pedro Knight, her artistic career conquered markets in other languages and positioned herself as the most recognized salsa singer in the music industry.
The series was broadcasted in RCN and Telemundo. Castalia: Mexican culture to the audience Castalia Communications is an independent media development company that produces television programming, provides sales and marketing for international television networks, and acts as an independent distributor of television content.
Through Mexicanal, that was launched in , the company have been committed to creating and keeping strong ties with Mexicans living and working in USA and Luis Torres-Bohl, also with all people who love Mexico.
The show pretends delve into the secrets of their kitchens and snacks and learn. Finally, The Car of My Life, show that invites to discover the endearing stories about the loyalty and camaraderie between a man and his automobile.
HBO is living one of its best years. The company is developing original content for all its signals around the world, and progressively is launching its streaming platform HBO Max in diferent markets.
In Latin America, the company announced that the OTT will arrives during Calinos Entertainment is enjoining a fruitfull year in expansion of its drama.
Most of ourclients either asked for a price reduction, cancelled some deals or relied heavily on reruns. WarnerMedia: Production and distribution with partners Under the WarnerMedia umbrella, Turner Latin America highlights at Virtual Screenings its most recent original titles developed and produced in the Latin market, all these with an international profile.
Several of these series are derived from co-production models with firms such as Dopamine Mexico , Gullane, VideoFilmes Brazil and Polka Argentina. VIS global sales include original productions, co-productions, formats sold for local adaptations, and sale of ready-made Guillermo Borensztein, content.
Shocked by the news, he decides to free himself to enjoy to the fullest extent the little time he has left.
Be-Entertainment: Formats for every condition Be-Entertainment Belgium , the format distributor that represents some of the most talented content developers in this country, offering breeding ground for format developers to test new ideas and for a format distributor.
At Virtual Screenings Autumn , is promoting three formats, first one: The Way Out that was launched less than a year ago has seen in-.
Also Make Your Country Great Again, where in each episode, a team of young TV makers went on three kinds of missions: a personal mission, a society mission and a community mission, to promotes the local and social actions that are changing the planet.
And Greetings From 19XX that brings a celeb family back to the year the celeb was 12 brings us the warm personal stories and nostalgic feeling that proof to be a perfect fit for these current times.
All these contents seems to provide the perfect fit for the current situation in every country, or company production, being formats that can be produced with minor adjustments due to the Covid restrictions.
The digital market pushes the Asian borders The evolution of the APAC media market has open new opportunities both in traditional Pay TV and OTT, especially considering the growth of subscribers and the raise of content options within the region.
Sun a and China 2. According to a survey made by Mordor Intelligence, the media and entertainment market is expected to register a CAGR Compound annual growth rate of 7.
This growth is mainly pushed by the Chinese market with, based on figures from Digital TV Research DTVR , leads the number of PayTV subscribers in with over million subscriptions.
However, DTVR forecasts to decrease to million subscriptions by and the number of PayTV subscriptions in Japan, Indonesia, and India expects to increase from to Traditional TV and market opportunities Growth in the Asian markets, although slight, is pushed by a growing middleclass who can now afford subscription costs in emerging territories like India, China, Indonesia and the Philippines and the rising adoption of Internet Protocol television IPTV , according to DTVR.
Last year, the government and Telecom Regulatory Authority of India completed its initiatives towards digital transformation, such as digitization of cable TV and Direct-to-Home DTH services, which are also favoring the adoption of this protocol in the country.
The IPTV scenario in India is witnessing change owing to the advent of the network services provider, with the company providing free IPTV live subscriptions to its customers.
With other companies to follow suit, the demand for mobile-based IPTV services is expected to increase in the region, which will, in turn, increase the demand for media and entertainment in the area.
But the growth of legal online video services means that PayTV operators and content providers are striving to distribute and monetize online.
Various consolidated companies have seen there are also some challenges faced by the market and opportunities: the creation of media content has witnessed a drastic change with a shift from traditional television to online digital platforms, pushed by online entertainment content providers, such as Netflix and Amazon, who have successfully introduced acclaimed original video content in the region.
These companies are also financing content in regional languages to attract customers, especially in multilingual countries, such as India.
The rising competition in the market, high cost of content creation, and technical difficulties associated with viewing videos online may hinder the market growth to an extent during the forecast period.
On the other hand, local players is promoting strategies to face the foreigner content service, investing in future technologies to gain substantial expertise, which would enable them to achieve sustainable competitive advantage, like Zee Entertainment Enterprises Limited, who launched four new regional channels, namely Zee Punjabi, Zee Biskope Bhojpuri , Zee Thirai Tamil , and Zee Picchar Kannada , along with its well-known OTT platform ZEE5, which registered The broadcaster upgraded some of its most important programs, including the daily produced and broadcasted China Central Television evening news bulletin, or Xinwen Lianbo.
MPA thinks that local and regional VOD services to grow strongly, even more than the international OTTs. The company announced this year an expansion to Thailand, Malaysia, the Philippines, and Indonesia, and its president said that there are also plans to establish local teams in South Korea, Japan, and the Middle East, while the Spanishlanguage version of the streaming service has been also confirmed.
On the other hand, Tencent is taking advantage of the market left by other services, such as Malaysian OTT iFlix, which was acquired by this one to reinforce its presence in Southeast Asia.
Tencent Video, its streaming platform in China, boasted over million paid subscribers at the end of March. In this complicated market, the OTT Viu, owned by Hong Kong Telco PCCW, stands out with a hybrid model, offering some titles for free on an AVOD subscription, with the possibility to evade it with adding a charge.
The platform offers regional content to over 41 million actives users per month in Southeast Asia, the Middle East and South Africa, and among its content, the OTT has licensed top shows from South Korea providers which are popular across all of Asia.
Some experts think that with Southeast Asia dominated, the next frontier will be Englishspoken-territories, and as result, services like iQiyi and Trencent are planning to develop original production in other territories offering subtitles shows in English, Thai, Malay, Indonesian and Vietnamese.
Focus on Southeast Asia On ATF Plugged In-Series, the online market session focused on these key territories, mar-. Achaya, CCO of Sabay Digital, explained that the cost of the content offer and the licensing deal is the key to access to this market, remarked that beyond the cost of acquiring content, there is also the cost of localization recruitment for localization etc ; this is something that should be taken into account any distributor.
The exec agree that the top elements that stop a content flourishing in Cambodia is pira-. AVERAGE TIME SPENT ON ONLINE STREAMING PLATFORM PER USER DURING THE CHINESE NEW YEAR HOLIDAYS VS But despite this, Cambodians in general, do appreciate quality content, and more so, content that can be enjoyed with family and friends.
Foreign content is still widely accepted, dubbed in the local Khmer language, includes the usual romance, horror, action, and suspense.
From Philippines, Isavel C. Because of factors such as these, the environment surrounding Japanese public broadcaster NHK is changing incessantly and dramatically.
Prensario wanted to know more about how were these months inside the national public TV channel. One example is drama. While a state of emergency was in place in Japan, NHK did not bring outside performers to its studios.
Using the absolute minimum of personnel, we made fiction in which the characters found themselves at cross-purposes while physically separated.
The experience gave us an opportunity to reappraise our working practices from totally new perspectives. How we could shoot a drama safely with infection risks kept to a minimum?
Fuyofukyu No Ginga Fuyofukyu means nonessential and nonurgent was aired in July and had a bigger impact not only on viewers but also on the media industry, and the Tokyo metropolitan government used it in calls for people to refrain from going to bars and clubs as many people in Tokyo were contracting the coronavirus in establishments that serve food and drink at night.
The Body vs. Coronavirus: The Battle Inside Us is an international coproduction with CuriosityStream, using cutting-edge science to examine truths about immunity.
Schedule for broadcast in Winter is the animated movie Earwig and the Witch NHK, NEP, Studio Ghibli made entirely using 3D computer graphics.
It was directed by the award-winning film director Miyazaki Goro and was part of the official selection of the Cannes Film Festival.
NHK is also a key player in the local and international 8K markets. This spring, NHK aired a two-part 8K series about the Orsay Museum, a coproduction with the Orsay Museum in France.
Also, we see it as a reminder that efforts to tackle global problems require broad perspectives and global cooperation.
A number of international coproduction projects for which we had to pause production are, little by little, restarting with new approaches.
The future is unclear. It is a leading group in the region. In APAC, HBO and Turner are firmly united so this new development will see us take that further step forward with our Warner Bros.
Integration is an op-. During the lockdown phase, we were in post-production for many of our Asian projects which means we can roll these out, even during these difficult times.
A great example is the new We Bare Bears movie. While led by Cartoon Network, the TV film is simultaneously launching across all our platforms in Asia: from HBO Family, Boomerang, Warner TV, Oh!
On Oh! K, Singapore and Malaysian audiences enjoy a strong slate of Korean dramas such us When I was the Most Beautiful, SF8, KKondae Intern and The Game Towards Zero.
Feedback has been good, and we are excited to continue to build on this strong. Another area of non-linear growth is mobile games. For example, in August HBO Asia launched its first ever sci-fi series called Dream Raider with a truly multicultural production team.
While sci-fi is not a common genre in this region, we wanted to explore something new. Workers has performed very well for us and it is yet another example of a different genre — dark comedy.
Viu: more original than ever Headquartered in Hong Kong, PCCW Limited is a global company with interests in telecommunications, media, IT solutions, property development and investment, and other businesses.
Operating with both an ad-supported tier and a premium subscription tier, we deliver premium content in different genres from top content providers with local languages and subtitles, as well as original production series under the Viu Original initiative.
Viu offers users popular and current content with streaming and download features, and loPCCW REVENUES, BY BUSINESS UNIT 1H With the patented Dynamic Adaptive Transcoding technology, it can provide the best viewing experience regardless of device or network conditions.
The service can be accessed via app available for free on App Store and Google Play on connected devices, e.
Viu has partnered with more than 30 telcos, including also five main Korean broadcasters with longer exclusivity, enhanced features and functionalities.
Its Originals, such as Pretty Little Liars, My Bubble Tea and Black performed well due to data-driven content decisions based on consumer insights.
Year-To-Date, total network share is In addition to local dramas Mystery Road, Operation Buffalo and Stateless, the top performing shows tend to be acquired British dramas as Death in Paradise, Doc Martin and Vera.
Killing Eve also performs very well for on iview. High end, impactful factual series also do well, and on the pre-school channel, ABC Kids, Bluey is hugely popular.
This was largely driven by news and current affairs. As the pandemic wore on, news fatigue set in, with the high viewing numbers starting to resemble pre-COVID levels.
Traditional broadcasters are simultaneously facing stiff competition from the local and global streamers. Casualties will be inevitable as will be the entry of new players in the market.
The industry has had to adapt quickly and accept unorthodox approaches, such as filming panel shows without a studio audience.
We have also acquired content recently that also reflect living in this Era that will reach audiences later this year.
Going Future? The broadcaster has also dramas, 14 documentaries and factual projects increased presence on third party platforms such and more than 30 specialist projects spanning as YouTube, Instagram and Facebook.
Coronacast is a Sydney short, daily podcast that breaks down the latest news and research to Melburne help audiences understand how the Brisbane world is living through the pandemic.
Last year web series Content launAdelaide ched simultaneously on Instagram, Perth YouTube and iview. It was the first Five-city metro scripted comedy series presented in vertical video format designed to be 10 20 30 40 50 60 viewed on smartphones, and it went Source: OzTAM Metropolitan Consolidated 28 Data 5 mins.
On the other hand, Showmax Pro adds music, news and live sport from SuperSport. Showmax is available in more than 70 countries worldwide, covering all of sub-Saharan Africa and with an African diaspora service available in another 26 countries.
There are more than 25, hours of content available on Showmax. For the future, Showmax is aiming to keep adapting the service for the data connectivity constraints on the continent and focusing on the most-used viewing devices.
With the mobile-only version of Showmax Pro, anyone with a smartphone in sub-Saharan Africa will be able to get the best African content, the best of Hollywood, and all of the best sporting action.
Here are some of the most powerful concepts. We look for fresh and different stories: our greatest success comes from supporting creators who are capable of generating fun, moving, character-based and locally relevant and authentic stories.
While even when we give priority to animated titles in synthetic images or in 2D , we also really want to expand our offer to content in real or hybrid shots.
We are looking for co-development and co-production opportunities, all genres combined, and content pitches with a touch of originality.
We attach great importance to the scenarios. We need to reach the masses and are looking for themes with a long shelf life.
Our focus is on animated series, but we also consider liveaction. The content should be gender-neutral with lots of heart and humour and a big portion of adventure.
What do kids buyers and commissioners want? Both live-action and animation and co vering all ages fro m early pre-scho to school age ch ol through ildren.
We acquire fiction and nonfiction series 2- Educational 3- France, United Kingdom, Canada , U. Lookin g for specific rights, glo bal concepts, distribution and good quality work 3- Worldwide.
Inte It wo of be r digital p sters oduc r kids features. The studios have done everything possible to ensure continuity despite this exceptional situation.
We have maintained an ambitious program, a quality schedule. The French studios with which we are co-producing more than 20 series at the moment have been responsive and efficient despite the crisis.
We launched in May Boy, Girl, etc. E-mail obavezan :. Kako i dokle mi iz Usa redovno placijamo Net Tv i samo da bi smo gledali Utakmice takve kakve su i sada nam Net Tv do ne dozvolijava a imaju te Pinkove koij niko u Usa ne Gledajer to su Nailosije kanale a Narocito one Cinpanze sto se tretiraju kao Zvezde u Grand i te goletine isto i za Vesti Novine Koije su 2 Dolara a samo lazove pisu ,da ne kazem i za Ilustrovanu koia se ovde u New Yorku prodaje za 7 Dolara a kupuiu mozda 10 citalaca.
The Global Herald. Archived from the original on 5 May Retrieved 25 April London Evening Standard. New York Post. Retrieved 20 April Animation Magazine.
TV Choice. Retrieved 19 February Cast, plot and trailer for new Raymond Briggs film". The Times. Retrieved 12 April The Post. The Independent.
Awards for Brenda Blethyn. BAFTA Award for Best Actress in a Leading Role. Vivien Leigh Audrey Hepburn Yvonne Mitchell Katie Johnson Virginia McKenna Heather Sears Irene Worth Audrey Hepburn Rachel Roberts Dora Bryan Leslie Caron Rachel Roberts Audrey Hepburn Julie Christie Elizabeth Taylor Edith Evans Boston Society of Film Critics Award for Best Actress.
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London Film Critics' Circle Award for British Actress of the Year. Los Angeles Film Critics Association Award for Best Actress. Authority control BNE : XX BNF : cb data CANTIC : a GND : ISNI : LCCN : no MBA : aa3aafbb NKC : xx NTA : PLWABN : SUDOC : VIAF : WorldCat Identities : lccn-no Categories : births Living people Alumni of the Guildford School of Acting Best Actress BAFTA Award winners Best Drama Actress Golden Globe film winners Cannes Film Festival Award for Best Actress winners English film actresses English stage actresses English television actresses English voice actresses Officers of the Order of the British Empire People from Ramsgate Actresses from Kent 20th-century English actresses 21st-century English actresses English Shakespearean actresses Royal Shakespeare Company members.
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